Why 'Those About to Die' is the Must-See Prequel for Gladiator 2 Fans?
Following a tumultuous inaugural episode in which director Roland Emmerich struggles to manage his numerous plotlines and budget constraints, Peacock’s original series “Those About to Die” gradually finds its footing. The series presents a gritty, violent, and often risqué interpretation of swords-and-sandals storytelling. Emmerich, known for films such as “The Day After Tomorrow” and “2012,” immerses himself in a genre poised for revitalization with the upcoming “Gladiator 2,” directed by Ridley Scott. While “Those About to Die” may occasionally resemble a diluted television adaptation of that anticipated film—despite a reported budget exceeding $140 million—it remains sufficiently engaging for enthusiasts of violent historical dramas, serving as a substantial precursor to the forthcoming cinematic feast. The timing of the show, which centers on spectacle masking political intrigue during an election year summer, feels particularly relevant. The promotional materials for “Those About to Die” have prominently featured Sir Anthony Hopkins as Emperor Vespasian, yet his role is, predictably, limited. The narrative primarily revolves around the characters he governs, comprising both familiar faces and a host of new talent. It is difficult to determine whether the frequent reminders of Ramsay Bolton’s machinations, embodied by Iwan Rheon as the cunning Tenax, serve as an advantage or a drawback. On one hand, it evokes memories of a series that excels in this type of multi-arc, violent costume drama. Conversely, Rheon adeptly fulfills his role, enhancing material that occasionally risks becoming monotonous with merely a discerning glance.
Rheon’s Tenax, the individual responsible for overseeing the gambling activities during the chariot races and gladiator fights, is just one of the many intriguing characters featured in “Those About to Die.” Among the key figures, the natural-born leader Titus and his brother Domitian stand out as the sons of Vespasian, each showcasing distinct approaches to potential leadership. While Titus engages in political maneuvers openly, Domitian schemes in the shadows to undermine his brother, with ambitions of claiming a throne he may not be fit to occupy. As Titus and Domitian navigate their power struggles, a compelling subplot unfolds away from the capital with Cala, a mother whose three children have been taken by the empire. Martins brings depth and emotion to the character of Cala, portraying her as a woman whose intelligence and dedication are often underestimated. She emerges as a standout in the series. While all three children have their own storylines, the most captivating arc in the first half of the season belongs to Moe Hashim’s Kwame, a skilled lion tracker who rises to become one of the city’s most formidable gladiators. And this is just scratching the surface. The narrative also introduces chariot-racing Spaniards, cunning wealthy patricians portrayed by Gabriella Pession & Rupert Penry-Jones, and notable performances from Dmitri Leonidas as the era’s most renowned charioteer, along with Joannes Johannesson as a key ally for Kwame. While the ensemble may seem overwhelming at times, the series manages to balance its various storylines effectively. "Those About to Die" offers a mix of lion fights, chariot races, and backroom politics, presenting a more artistically profound approach compared to other similar projects. However, Robert Rodat's plotting lacks consistency, preventing the show from being consistently entertaining. Despite this, the period drama manages to captivate in moments, thanks to character choices by Martins, Hughes, or Rheon, as well as the display of a significant budget. Just when the series seems to falter, a well-executed fight scene or emotional plot twist brings back the intrigue. Nevertheless, the show tends to lose momentum again shortly after, leaving viewers wanting more.
It is evident that the current television landscape lacks originality, making it an opportune time for "Those About to Die" to attract viewers. The strategic timing of its release, sandwiched between the Republican and Democratic National Conventions, appears to be intentional. While we are far removed from the days of gladiator battles and chariot races, the themes of political intrigue, betrayal, and social class depicted in "Those About to Die" resonate with contemporary issues. Read More:
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